johnbonham56

Today’s installment of my “From The Archives” series is a list of exercises based on the legendary 3-limb pattern made famous by John Bonham. In short, “Bonham Triplets” are a constant circle between single strokes on the hands and a kick drum added as a sort of third hand. The order of the strokes can vary, as well as the rhythm application (i.e., actual “triplets” aren’t the only place to use this idea).

While you’re at it you should rewatch this Jojo Mayer solo if you haven’t seen it already. His rhythmic and accenting prowess within a BT context is incredible.

Lastly, I want to take a sec and unpack this statement from my original BT post: “These patterns sound pretty cool, but aren’t necessarily very useful outside of a soloing context (in my opinion). I’ve found them more helpful as an exercise/rudiment than as a staple ingredient in my playing.” 

My point is that I have gained a TON of helpful and useful feet-to-hands coordination through BT exercises, but I end up utilizing that coordination mostly in non-soloing contexts. I suppose this is partially because I rarely do drum solos of any kind at all, but what I want to communicate is that the Bonham Triplet integration of hands and feet is a profoundly useful thing in general. It was maybe misleading for me to say that I only use BT patterns as exercises. In actuality I use small moments of BT patterns almost constantly in my day-to-day freelance sideman playing. Linear grooves, fills, ghost note ideas… all of these benefit tremendously from a good grasp of the BT idea.

Jojo’s playing above is in a solo setting, but don’t let that make you think that a solo is the only place for Bonham Triplets.

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