Next up in the series is some Jimi Hendrix. I’ve been listening to a lot of Hendrix lately, and I think his final album, “Band Of Gypsies,” is the best choice for Album of the Week. I cannot believe how incredible this record is. Every time I listen to it I am inspired.
In 1965, before he was famous, Hendrix signed a vague contract with Capitol Records that was never fulfilled. In 1969, at the height of Hendrix’s career, the people at Capitol figured out that they still had some contractual obligation from Hendrix (who was on MCA records at the time), and they approached him about doing an album. In an attempt to quickly follow through on the Capital contract and get it out of the way, Hendrix called in some friends for a new band under a different name and planned a two-night stand at The Fillmore for New Year’s Eve. The “Band Of Gypsies” recording is the result of those performances, comprised of six live tracks taken from the two nights, and featuring Hendrix on guitar/vocals, Billy Cox on bass, and Buddy Miles on drums/vocals.
From top to bottom the album is the perfect blend of groove, creativity, passion, and energy. I will go to the mat defending “Machine Gun” as the most emotional guitar solo in rock history. “Who Knows” features and incredibly musical vocal solo by Buddy Miles, made even more incredible by the fat groove that Miles is laying down while singing the solo. “Power Of Love” is the most killing bass line I have ever heard (which happens to be quoted on the latest John Mayer release).
This album is also a great example of improvisation in a rock context. Due to the abrupt nature of the decision to make the record, the band was not afforded much rehearsal time. They rely on improvisation for at least 70% of the performances, and they display impressive maturity and musicality in doing so. It’s worth noting here that there are some “sloppy” sections… meaning, the improvised nature of the music is not conducive to the “perfect” production quality of, for instance, the previous Album of the Week. However, this sloppiness is far outweighed by the emotional power of music that is (successfully) spontaneously composed. I believe musicians who are listening to one another and responding accordingly in the heat of the moment are able to reach a deeper artistic realm than calculated, pre-meditated music. The Band of Gypsies recording is my proof.
For drummers, Buddy Miles’ playing on this record is a lesson in itself. He is so patient, understanding that the trio revolves around Hendrix and not his own drumming. His grooves are so deep, and his improvising is very supportive of the trio’s sound. I especially love his snare tone… high and tight, but with a substance to the crack that you don’t normally find in drums that are cranked up.
You can buy the album here, you can read more about the interesting history of the recording here, AND there are some videos of these famous tracks here.
4 comments
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August 5, 2008 at 3:07 pm
Bill R
Excellent review/recommendation.
I would definitely consider myself a Hendrix fan. Not an authority by any means but fairly well versed.
I tend to lean more towards Mitch Mitchell over Buddy Miles when drumming behind Hendrix. But each bring a different feel to his music.
However, much respect to Buddy Miles. Did you know he was the voice of the California Raisins?
Btw, check out the video of the Fillmore shows on Youtube. Even in B/W it’s incredible to watch.
BR
August 5, 2008 at 3:18 pm
KG
MY CD of the week is Dave Barnes. I am starting to think that all I ever want to listen to is that guy.
Hey Hon! I commented on your blog! :o)
August 5, 2008 at 4:00 pm
stevegoold
Whoa! My wife commented on my blog! So… are you telling me that I have a green light to go buy Barnes’ other records?
Bill,
I hear you on Mitch Mitchell. He of course rules and the way the Experience band played together was obviously an important stage in rock history. BUT, on the Miles vs. Mitchell question, I would point to my comment about Miles’ understanding of who the band was supposed to feature. I feel like Mitchell was often guilty of playing as if it were The Mitch Mitchell Experience.
August 5, 2008 at 8:24 pm
Bill R
That’s a fair argument.
They’re two very different feels as stated above. Mitchell has such an undeniable explosive energy to his playing I dig.
I’m also the first to salute Miles’ amazing groove. Very deep. Excellent example of how to support the band.
It also reinforces how great a “trio” can be. Think of all the amazing rock trios out there. The Police, Stevie Ray Vaughn, Rush, Bill Mike Band. 😉 You could even categorize bands like The Who as a psuedo-trio due to having a dedicated lead singer.
Guitar, bass, drums. It can be all you really need to rock, baby!