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Two Pillars… again
September 23, 2008 in Fills, Nate Sabin, Studio Playing | Tags: Aaron Fabrinni, Ben Gowell, Brian Bates, Musicality, Nate Sabin, Studio Work, Two Pillars | Leave a comment
I was back in Two Pillars studio again today (Mon), this time working on a Christmas track for a vocalist named Brian Bates. My friend Nate Sabin was producing the track, and he’s a great guy that up until now I have not had the pleasure of working with. Aaron Fabrinni was also there on bass, and Ben Gowell on guitar.
Have I ever mentioned how much I enjoy being in the studio? Love it.
The most fascinating aspect of studio work for me (right now at least) is the HUGE difference that one little change will make. Like… a fill for instance. The placement of one note, just a little behind the beat, makes all the difference. Suddenly the whole fill is cooler – just because one note is played slightly different. Being in the studio always makes me pay way more attention to my live playing, so as to capture those nuances and make that big difference in my live performances too.
Two Pillars
September 4, 2008 in Cymbal Set-ups, Elizabeth Hunnicutt, Matt Patrick, Snare Drums, Studio Playing | Tags: Aaron Fabrinni, Elizabeth Hunnicutt, Gear, Matt Patrick, Studio Work, Two Pillars, Tyler Burkum, WFL, Zildjian | Leave a comment
My friend Matt Patrick has a very cool studio in South Minneapolis called Two Pillars, and I’m there today doing a session for the new Elizabeth Hunnicutt record. Tyler Burkum on guitar and Aaron Fabrinni on bass are also playing, which is cool because most of the sessions I do are drums only (recording by myself along with scratch tracks). There’s obviously more fertile ground for creativity when musicians are playing live along with each other. I think the stuff we’ve come up with so far is pretty cool.
For those of you paying attention, that snare in the pic is the same WFL snare from the Pachyderm pics a few months ago. Man, these days I am really liking that thing. In other gear geekness, I’ve been using this 20″ K Custom Dry Light ride as a crash. It has a really fat but short sound, and the compressed room mics make it sound very cool.
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